Articles

Black Queer Cosmologies, Sonic Geographies, and Embodied Entanglement in Tarell Alvin McCraney’s The Brother/Sister Plays

  • Oona Blood Cullen
Modern DramaVol. 67, No. 4, pp381–401
Abstract

The Freedom Mythology of Father Comes Home from the Wars

  • Elliott Turley
Modern DramaVol. 67, No. 4, pp402–426
Abstract

Cosmos and History in Wole Soyinka’s Death and the King’s Horseman

  • Leonardo F. Lisi
Modern DramaVol. 67, No. 4, pp427–446
Abstract

Labour of Love: Alienation, Race, and Family in Julia Cho’s Aubergine

  • Youngbin Hyeon
Modern DramaVol. 67, No. 4, pp447–465
Abstract

Pandemic Remembered: Kevin Kerr’s Unity (1918) Remedied

  • Katrina Dunn
Modern DramaVol. 67, No. 4, pp466–489
Abstract

Reviews

Michelle Liu Carriger. Theatricality of the Closet: Fashion, Performance and Subjectivity Between Victorian Britain and Meiji Japan

  • Annie Holt
Modern DramaVol. 67, No. 4, pp490–492
Abstract

Michelle Castañeda. Disappearing Rooms: The Hidden Theaters of Immigration Law

  • S.E. Wilmer
Modern DramaVol. 67, No. 4, pp493–495
Abstract

Dorothy Chansky. Losing It: Staging the Cultural Conundrum of Dementia and Decline in American Theatre

  • Valerie Barnes Lipscomb
Modern DramaVol. 67, No. 4, pp495–498
Abstract

May Summer Farnsworth. Feminist Rehearsals: Gender at the Theatre in Early Twentieth-Century Argentina and Mexico

  • Candice Amich
Modern DramaVol. 67, No. 4, pp498–501
Abstract

Monique Mojica and Brenda Farnell. Chocolate Woman Dreams the Milky Way: Mapping Embodied Indigenous Performance

  • Bethany Hughes
Modern DramaVol. 67, No. 4, pp501–503
Abstract

Tina Post. Deadpan: The Aesthetics of Black Inexpression

  • Faedra Chatard Carpenter
Modern DramaVol. 67, No. 4, pp504–506
Abstract

Jonas Tinius. State of the Arts: An Ethnography of German Theatre and Migration

  • Misha Hadar
Modern DramaVol. 67, No. 4, pp506–509
Abstract

Alisa Zhulina. Theater of Capital: Modern Drama and Economic Life

  • Christopher Grobe
Modern DramaVol. 67, No. 4, pp509–512
Abstract

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