Articles

Annawadi on the South Bank: Global Neoliberalism and Spatial Contingency in Behind the Beautiful Forevers

  • Ryan Claycomb
Modern DramaVol. 60, No. 4, pp407–427
Abstract

“To Follow Pleasure’s Sway”: Atomism in Sarah Ruhl’s The Clean House

  • Jennifer Heller
Modern DramaVol. 60, No. 4, pp428–447
Abstract

Contemporary French Drama and the Stupidity of/in the Capitalist Labour Pool: The Case of Joël Pommerat

  • Les Essif
Modern DramaVol. 60, No. 4, pp448–479
Abstract

Reunion, Complication, Refraction, and Translation: How Postcolonialism and Post-Structuralism Mark Bengal Tiger at the Baghdad Zoo

  • Scott Proudfit
Modern DramaVol. 60, No. 4, pp480–500
Abstract

Reviews

Leo Cabranes-Grant, From Scenarios to Networks: Performing the Intercultural in Colonial Mexico

  • Patricia Ybarra
Modern DramaVol. 60, No. 4, pp526–528
Abstract

Xiaomei Chen, Staging Chinese Revolution: Theater, Film, and the Afterlives of Propaganda

  • Daphne P. Lei
Modern DramaVol. 60, No. 4, pp528–531
Abstract

Julie Holledge, Jonathan Bollen, Frode Helland, and Joanne Tompkins, A Global Doll’s House: Ibsen and Distant Visions

  • Dean Krouk
Modern DramaVol. 60, No. 4, pp531–533
Abstract

Branislav Jakovljević, Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–91

  • Duška Radosavljević
Modern DramaVol. 60, No. 4, pp533–536
Abstract

Bryce Lease, After ’89: Polish Theatre and the Political

  • Tamara Trojanowska
Modern DramaVol. 60, No. 4, pp536–538
Abstract

Megan Lewis, Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life

  • Loren Kruger
Modern DramaVol. 60, No. 4, pp538–541
Abstract

David Ian Rabey, Theatre, Time and Temporality: Melting Clocks and Snapped Elastics

  • Matthew Wagner
Modern DramaVol. 60, No. 4, pp541–543
Abstract

Anthony Roche, The Irish Dramatic Revival 1899–1939

  • Ian R. Walsh
Modern DramaVol. 60, No. 4, pp543–545
Abstract

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