Research Article
15 November 2022

Performing in Public: Ethics of a Site-Specific Theatre Practice

Publication: Canadian Theatre Review
Volume 192
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Works Cited

Broox, Klyde. PLAY THIS: Concession Street. Concession Street BIA, 2021, concessionstreet.ca/text-for-black-history-tour.html.
Chatterton, Anna. PLAY THIS: Ottawa Street. Tottering Biped Theatre, 2021, totteringbiped.ca.
Cresswell, Tim. Place: An Introduction. Blackwell, 2004.
Goffman, Erving. The Presentation of Self in Everyday Life. Anchor Books, 1959.
Massey, Doreen. For Space. Sage, 2005.
McAuley, Gay. “Place in Performance Experience.” Modern Drama, vol. 4, no. 46, 2003, pp. 598–613.
Monheit, Walter Jr. “Theatre Review: Transience.” Words in Place, 7 Apr. 2013, englishatwaterloo.wordpress.com/2013/04/07/theatre-review-transience/.
Motum, Robert and Madeline Samms. Kitchener-Waterloo: a guidebook from memory, 2016.
Newman, Mark. “Bringing Little Africa Back to Life on Hamilton Mountain.” The Hamilton Spectator, 16 Aug. 2021.

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Published In

Go to Canadian Theatre Review
Canadian Theatre Review
Volume 192Fall 2022
Pages: 37 - 40

History

Published in print: Fall 2022
Published online: 15 November 2022

Authors

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Robert Motum
Biography: Robert Motum is a theatre artist and PhD candidate in performance studies at the University of Toronto. His site-specific work has been supported by Outside the March, Convergence Theatre, the Stratford Festival, and others. He holds an MA in performance from Aberystwyth University (Wales) and studies site-specificity and notions of nationhood.

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Canadian Theatre Review 2022 192:, 37-40

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