Research Article
30 May 2023

Remaking Critical Theory: A Creative Humanities Process and Intervention

Publication: University of Toronto Quarterly
Volume 92, Number 2

Abstract

Popular conceptions of creativity advance a neoliberal world view that reduces creativity to spontaneous ideation or so-called “right-brain thinking.” Such formulations, now commonly upheld in popular and educational discourse, blinker the essential role of criticality and sensitivity to socio-cultural context in the creative process. To challenge the neoliberalization of creativity, we designed the Remaking Critical Theory (RCT) process, which synthesizes recent cognitive science and creative humanities research to reconstitute creativity as criticality and vice versa – what we label critical creativity. The process reframes humanistic interpretation as a critical-creative activity and adapts methods from art, design, and innovation management to facilitate the production of humanities insights. Drawing upon dual-process models of creative cognition, we theorize how the RCT process activates the right type of thinking at the right time in the creative process. We also evidence efficacy by delineating and reflecting upon a pilot application at Sheridan College, which culminated in the student researchers making critical theory zines. More than simply reaffirming the value of critical theory in neoliberal societies, we delineate a radically new approach to humanities research and pedagogy.

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Information & Authors

Information

Published In

Go to University of Toronto Quarterly
University of Toronto Quarterly
Volume 92Number 2May 2023
Pages: 147 - 181

History

Published in print: May 2023
Published online: 30 May 2023

Keywords:

  1. creative humanities
  2. creativity
  3. critical creativity
  4. critical theorya
  5. critical making
  6. dual-process theory
  7. innovation management
  8. prototyping
  9. zines

Authors

Affiliations

Brandon McFarlane
Biography: Brandon McFarlane
with Sarah Banting, “Possibilities for English Studies,” English Studies in Canada (forthcoming).
“Introduction to the Creative Humanities,” University of Toronto Quarterly (2022)
“Applying Critical Creativity to Navigate the Tensions between Art and Business in the Creative City,” Creative Industries in Canada (2022).
with Nathaniel Barr, Kylie Hartley, Joel Lopata, and Michael McNamara, “Learning in an Uncertain World: Transforming Higher Education for the Anthropocene,” Uncertainty: A Catalyst for Creativity, Learning and Development (2022)
Pilon School of Business, Sheridan College, Toronto, Ontario, Canada
Alexander Hollenberg
Biography: Alexander Hollenberg
“children of Atlantis,” “brush,” and “cowpokes near Spillars Cove,” Riddle Fence (2022)
with Jessica Pulis and Brianna Wodabek, “Sacred Healings through Telling Story: Lessons from the Sacred Grounds,” Journal of Applied Social Science (2021)
“Indigenous Storytelling: Ethics and Resistance,” Rethinking Who We Are: Critical Reflections of Human Diversity in Canada (2019)
“Challenging Creativity: A Critical Pedagogy of Narrative Interpretation,” ESC: English Studies in Canada (2017)
Faculty of Humanities and Social Sciences, Sheridan College, Toronto, Ontario, Canada
Hyein Lee
Biography: Hyein Lee
“Creating Community,” Hoarding Group Exhibition, STEPS Public Art (2019)
“From Weeds We Grow,” Online Exhibition, STEPS Public Art (2021)
“Math Hacks 2: Stress Less + Do Better,” Illustration, Scholastic (2021)
“Math Hacks: Cool Tips + Less Stress = Better Marks,” Illustration, Scholastic (2018)
Faculty of Animation, Art, and Design, Sheridan College, Toronto, Ontario, Canada
Marco Cibola
Biography: Marco Cibola
Faculty of Animation, Art, and Design, Sheridan College, Toronto, Ontario, Canada

Funding Statement

Remaking Critical Theory was funded by a Scholarship, Research, and Creative Activities Grant from Sheridan College and an Explore Grant from the Social Sciences and Humanities Research Council of Canada. We are thankful for the funding that made this pertinent research possible.

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Brandon McFarlane, Alexander Hollenberg, Hyein Lee, and Marco Cibola
University of Toronto Quarterly 2023 92:2, 147-181

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