Border Score | Choreographies of Crip and Mad Travel
Abstract
This choreographic script explores the movement possibilities and imperatives that come of travelling by air across the Canada–US border. In particular, it demonstrates the differential scores navigated by normates (those for whom airline travel is primarily designed) and by the specific Crip-Mad duet embodied by the authors. The script draws from Crip and Mad theory, disability studies, and duo-ethnographic methods to explore the complexities and ingenuities of mobilizing through and within the spaces and procedures of airline travel while crip and/or Mad.
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Works Cited
Garland-Thomson, Rosemarie. Extraordinary bodies: Figuring Physical Disability in American Culture and Literature. Columbia UP, 1997.
Novic, Sara. “When It Comes to Depicting Disability, Hollywood Keeps ‘Cripping Up.’” CNN, Cable News Network, 1 Mar. 2018, cnn.com/2018/03/01/opinions/hollywood-disability-new -normal-opinion-novic/index.html.
Information & Authors
Information
Published In
Canadian Theatre Review
Volume 176 • Fall 2018
Pages: 48 - 52
Copyright
Copyright © 2018, University of Toronto Press.
History
Published in print: Fall 2018
Published online: 30 October 2018
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Authors
Affiliations
Lindsay Eales
Biography: Lindsay Eales is Co-Artistic Director for CRIPSiE and a PhD Candidate in the Faculty of Kinesiology, Sport, and Recreation at the University of Alberta.
Danielle Peers
Biography: Danielle Peers is a community organizer, video and dance artist with CRIPSiE (the Collaborative Radically Integrated Performers Society in Edmonton), and Assistant Professor in the Faculty of Kinesiology, Sport, and Recreation at the University of Alberta.
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Lindsay Eales and Danielle Peers
Canadian Theatre Review
2018
176:,
48-52
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